The curator told me to remove my paintings because they were “inappropriate”

I started painting at 10 years old, when my father gave me my first oil paint and brushes. That same day I painted a medieval street at night; narrow, with a small dimly lit lantern that showed a direction to follow. In the afternoon I tried to create my first painting with chiaroscuro using a palette with few colors and a fairly correct perspective. That was my first intuitive impulse to simply do the right thing. To do something well, something Kitsch. From that moment on I have only worked in the same way and will continue to do so for the rest of my life. 

Over the years I learned about the barbarism of modern art. I studied at two universities and attended many workshops with their “artists”.

One day, the curator of an exhibition, in which I was going to participate, told me to remove a couple of my paintings because they were “inappropriate.” He said that my pictures were “talking” and people do not want to buy pictures that talk while hanging on the wall. That day I left with all of my paintings, determined to never stop painting narratives. Clearly I was not an artist nor did I want to be an artist under such circumstances. 

The medieval street that I painted always accompanied me as a reminder that I should not betray myself. This was confirmed when I applied for Odd Nerdrum’s School in 2017 and got accepted.

We were traveling from Sweden to Norway with his wife Turid, who also paints, and Master Nerdrum told me: “Patricia, they lie, quality should never go out of style.” With that phrase, he said it all.

Leave a Reply

Your email address will not be published. Required fields are marked *

There are no quality standards in Art
How can I consider myself an artist if I don’t know what that is? Every time I hear this word my stomach unfailingly turns. Nobody knows what it is because
Agustina Caruso
I was in the wild for many years
I started drawing when I was a little girl. I had a lot of interest in studying faces and portraying them. Especially older people, perhaps because their faces showed that
Ruth Lønne
Art is the salvation for the talentless
I don’t call my work art. The reason is simple: all fields that the ideas of Art have touched, have crumbled to dust. From modern architecture, modern concert music, to
Öde Nerdrum
The craft is not dead!
I started studying on my own, attending workshops, and copying photographs in a painter’s studio. I knew that to progress from there I needed a mentor. That is how I
javier

Kitsch lavishly relishes imitation. Art separates itself from nature as absolutely as possible.

— Richard Leppert, author